"I loved the ways you welcomed the dreamscapes and tragedies and epic tales of love lost and found into your lives," reads her album announcement. Lover is a backtrack in a way. But what's never changed is Taylor's enchanting ability to translate a memory whether charmed or trying into a moment that feels like yours. For the album ranking, I considered a few factors including cohesiveness, listening experience, the number and quality of standout songs, and if the album is musically interesting or lyrically special. ", Big Machine/Republic Records/Republic Records/Big Machine. Songs that sum up this album include "State Of Grace," a different sound with gorgeous lyrics that are undoubtedly Swiftian; "I Knew You Were Trouble," a reflective song full of dramatic production effects and a driving beat; "All Too Well," a slow ballad reminiscing a past love with emotional lyrics and execution; and "22," an effortless pop hit. Her eighth LP disregards the crutch of compelling production and relies more so on solemn, thoughtful writing and is her first full-length departure from autobiography into fiction. No one would have blamed her for taking a well-deserved creative hiatus after that marathon of releases, but Taylor has proven herself to be an artist of momentum multiple times over. Fearless. "Musically and lyrically, Red resembled a heartbroken person. "Swift's usual approach to dabbling in new genres or sounds is to go balls-to-the-wall, but on 'evermore,' she's just as good at curating these more detailed production flourishes, all with the same contouring and meticulousness as she does with her best lyrics," she wrote. So, though this list must include the favorites, it's also a love letter to her illustrious career and its intersections into listeners' lives. Where her debut guaranteed she was, at the very least, a momentary sensation, it wasn't until 2008's Fearless that the world understood the musical force that Taylor Swift could be. The singers first four albums barely scan as country music in a meaningful way, instead embracing her preternatural gifts for pop conventions, and her output has gotten stronger the more openly shes embraced those skills. Swift dropped a "special very chaotic surprise" in the form of seven bonus tracks. Listening to folklore then is like wiping the cuff of a cable knit on fogged glass to peer in on private moments. But over a decade later, Taylor makes the incredible move of re-recording her teenaged relics almost note-for-note, now at 31 years old. "Fearless" outranks "Taylor Swift" as it has more standout songs and has a cohesive sound that distinctly country-pop. Pick what song you like better in each battle to get an accurate list of your favourite songs. "Champagne Problems" serves as a painful tale of a failed relationship. But past skeptics be damned, the album has stood the test of time, with many now backpedaling their initial criticisms to revel in her unabashed outbursts of rage and ecstasy and its thematic anchor of tender love and care. There are, of course, a handful of golden tunes (Dancing with Our Hands Tied, Call It What You Want, Delicate). The album feels incredibly personal to Swift, as the songs are odes to important parts of her life, from her current boyfriend to New York City. This time, she trades her upbeat synth-pop for overt trap tremors and heavy-handed hip-hop, like harsh emergency strobes disrupting a blacked-out cityscape. But none before were so intricate and immersive as a whole fictional timeline pieced together from multiple angles in an album just over an hour long. To celebrate, weve revisited all 10 of her studio albums and ranked them from best to worst. Returning to this record then, with its new polish and poise, is a kind of homecoming celebration. Let's be clear: There are no bad Taylor Swift albums. 1989 is a masterclass in how to make a timeless pop record. These are songs that beckon celebration, hands raised over heads in secular worship of a 20-something's innate need to romanticize their life visions of nice dresses and sunsets, the epicenter of the world awaiting your arrival, hope that your beauty and grace will never fade. But this is Taylor we're talking about here, and the fact of the matter is, she's at her best at her most singular, when there's zero doubt that anyone but her could have been the creative mind behind the record. 20: 20. We, the listeners, need a few more of our own sleepless nights, staying up drinking with Taylor and looking backward to definitively weigh our affection. It's humbling to hear a decades-defining artist at the absolute top of her career sing confessionals about self-loathing ("I'll stare directly at the sun but never in the mirror") and toxic longing ("I hosted parties and starved my body / Like I'd be saved with a perfect kiss") with less inhibition than ever before. But the crowned jewel of the record is obviously the long-waited, 10-minute version of "All Too Well," an expansion on the already sprawling song widely considered by critics and fans alike to be her definitive opus (which, for an artist of Taylor Swift's standing, is absolutely saying something). In a statement when her tenth studio album was first revealed Swift explained this project is the stories of 13 sleepless nights scattered throughout my life, meaning its filled with the sorts of realisations that only hit you in the wee hours. Though the album is gorgeously hooky as a whole, and overall perfect for belting in the car for a pick-me-up, it's not hard to imagine Katy Perry or even Demi Lavato as a stand-in singer for the LP's lowest moments. To celebrate Folklore's release, there is not a better time to rank Taylor Swift's albums' discography from the weakest to the best. Taylor herself referred to it as her "only true breakup album," and like her today, whatever heartache made us once cling to Red for the solace is (hopefully) behind us now. At just 20-years-old before she had even fully blossomed out of country's genre barriers Taylor had mastered the delicate balance of detailing the life moments blurred between adolescence and adulthood. Only vault songs are included. Sal Cinquemani, Midnights is far removed from the folk instrumentation of Folklore and Evermore, coming closest to mirroring 1989s more uptempo electro-pop palette. Report RESET RANKING RESET TEMPLATE SAVE/DOWNLOAD TIER LIST Template by lucy and Bleachers fame), who employs an undercurrent of drums that boom like palms on metal doors and vocals that echo as if off skyscrapers. Taylor Swift's "Folklore" album cover was photographed by Beth Garrabrant. Consider how the instrumentation drops out during the last two words of the hook in Last Kiss, allowing the singers breathy vocal delivery to bear the entirety of the songs emotional weight, or how a simple acoustic guitar figure on Enchanted slowly crescendos behind each repetition of the line I was enchanted to meet you. Unfortunately, the greater complexity and range found in Swifts sound and in her song constructions doesnt necessarily translate to her songwriting. Almost 15 years ago, before the Grammy awards and international tours, a fresh-faced, 17-year-old Taylor Swift released her self-titled debut album. She's endlessly accessible, easy to understand even in her later, more cryptic works, yet her songwriting is also a blank space (*cue pen-click*) ripe for filling in your personal memories and private associations. But none are more affecting than "champagne problems," a first-person post-mortem after rejecting a marriage proposal a classic "it's not you, it's me" scenario with simple piano chords accompanying the guilt of walking away and the peril of being mentally unwell ("'She would've made such a lovely bride' / 'What a shame she's fked in the head,' they said"). Her self-titled debut stood as her lone and tall titan at the time of its 2006 release, which was immediately met with commercial and critical success, catapulting a then-16-year-old Swift to stardom almost overnight. But Midnights and its seven "3am" bonus tracks are still steeped in singularity, mostly due to its ultra-honest subject matter and intriguing concept parsed out with Taylor's expert execution. The MCUs tiniest heroes are kicking off its biggest phase yet, setting up the next several years of storytelling. The albums lyrics only serve to bolster that perception: Swift comes off like a frazzled stay-at-home mom scolding her disobedient children on Look What You Made Me Do and This Is Why We Cant Have Nice Things. But its her willingness to portray herself not as a victim, but the villain of her own story that makes Reputation such a fascinatingly thorny glimpse inside the mind of pops reigning princess. "Should've Said No" carries the same torch with a steadier hand, being one of the three songs she penned completely on her own. Pam Grier reflects on her most iconic roles, from, now backpedaling their initial criticisms, unrequited love looming on the high school bleachers, Professor of Commercial Music explains to EW, reclaiming the masters of her life's work, New Reputation: Taylor Swift shares intel on TS7, fan theories, and her next era, The best song from every Taylor Swift album. "Her music mixes an almost impersonal professionalism it's so rigorously crafted it sounds like it has been scientifically engineered in a hit factory with confessions that are squirmingly intimate and true," wrote critic Jody Rosen for Rolling Stone in 2008. "Entirely self-penned, sans the collaborations of the previous albums, it's an enormous breakthrough in songwriting maturity, while hardly forsaking the childlike lack of pretense that made earlier efforts such guilt-free ear candy," wrote Willman. She may be on the outs, but she sure isn't alone. It's a melancholy that allows you to wallow on the condition of looking forward after the fact, holding nothing back as you let everything go. Reputation is, without a doubt, Taylor's most polarizing work to date. The spectacular The Last Great American Dynasty describes the life of American artist Rebekah Harkness (whose Rhode Island house Swift bought in 2013) with vivid descriptive lyrics. Its not just the shock drop that felt different, though, as musically it saw Swift dive head-first into a new sonic palette of wistful indie-folk. On Thursday at midnight, Taylor Swift dropped her 10th studio album, "Midnights." Shes doing exactly what shes always done: offering a collection of incisive, often provocative songs that incorporate authentic, first-person details and leaving others to argue over specific genre signifiers. The definitive ranking of Taylor Swift's 'Folklore' songs. In recent years, shes also become a music business game-changer: most notably for re-recording her first six albums in order to regain control of her masters, which has seen Swift release the Taylors Version of both Red and Fearless. As ever, Swift deftly pivots from upbeat tracks to sad ballads with devastating bridges that make you want to cry your eyes out. But reputation's best serenade is also its most understated (and underrated): "New Years Day." Although there are standout individual songs on the album, "Taylor Swift" isn't particularly cohesive and now that her discography has been built up, it's hard to rank this high when listeners now know exactly what she's capable of. That she employs her long-established songwriting tropes in novel ways is truly the most significant development here. The tracks combined her typical impressive storytelling abilities while tying together strong emotions of frustration that feel at home in "Reputation" (seen in the track "The Man") as well as stories of falling in love and almost losing it that feel at home in "Speak Now" or "Red" (as seen in "Cornelia Street"). Although the first glimpses we heard from it (the musical theatre-style Me! and the stomping You Need to Calm Down) didnt do the record justice, listen to Lover in full and youll find moments of pure joy. Its a brilliantly honest moment, taken from Swifts most mature album yet. How often I find myself in the mood to listen to . Perhaps even more impressive is Swifts mastery of song structure. From Austin Butler and Cate Blanchett to a potential Best Supporting Actress toss-up, see who EW thinks will win at the 2023 Oscars. Having no taste when it comes to state of Grace?) Meanwhile, "Fifteen" translates the same country sentiment into a contemplative portrait of girlhood, of trying to mentor yourself before you've even grown up ("When all you wanted was to be wanted / Wish you could go back and tell yourself what you know now"). Periodically, Midnights does run into issues of redundancy, which has more to do with Jack Antonoffs deficiencies as a producer than with Swifts skills as a writer and performer. Red is filled with top notch tunes: the brilliantly snarky We Are Never Ever Getting Back Together (Swifts first ever Billboard 100 Number One) and fizzing 22 are stone-cold smashers. Unlike previous albums, no singles were released before the official album drop, and at 3 a.m. And I'm telling you, it's going to be a journey. But once the title track's idyllic and endearing comedown is over, and the atmospheric funeral march for past woes of "The Archer" makes way for new beginnings, Lover has very few high points after its fifth track. But, as is tradition, the haters hardly scratched the surface of this sixth record, overlooking its genuine feats of all-encompassing production and high-energy, in-your-face vocals. This winning combination warrants countless replays and, even now, listening to this song more than 10 years later reminds many of us so strongly of a crush we had when we were younger. today i'm ranking all of taylor swift's songs and music from every album + more! Then there's the true-to-life nostalgic musings of romantic naivety at fifteen and unrequited love looming on the high school bleachers. Rosen is right this album combines intimate lyrics and incredibly catchy tunes and it is showcased in Swift's hit single "You Belong With Me," an upbeat anthem for those dealing with unrequited love. Lover. Copyright 2023 Meredith Corporation. As if the gift of folklore's acoustic stylings wasn't a treat enough, Taylor conceived a surprise sister album like clockwork during her end-of-year creative storm, amidst filming the Long Pond Studio Sessions documentary and re-recording Fearless. Where Swift has re-recorded an album, we have included only the new, re-recorded version of the record in the ranking. Modify tier labels, colors or position through the action bar on the right. Rather, their relative simplicity only adds to Fearless' charm, bridging the old with the new a woman's voice singing a girl's anthems to make a once good album now great. I'm not using the 5-tier-ranking-scale or whatever because if I did literally half of the list would be a 5/5 yeah music is pretty good rn. 'Red' is filled with top notch tunes: the brilliantly snarky 'We Are Never Ever Getting Back Together' (Swift's first ever Billboard 100 Number One) and fizzing '22' are stone-cold smashers. Painting the picture of an unravelling relationship, it gradually crescendos, climaxing in the gut-punch couplet of And you call me up again just to break me like a promise / So casually cruel in the name of being honest. Drag and drop items from the bottom and put them on your desired tier. On Swifts second album she still kept things country, but this time the pop edge that defined later releases was more evident. At the time of publishing, we're just over two weeks past our first listen, still internalizing the record's themes of loneliness and loathing, insecurity and insomnia. Im not surprised you guys mostly hate on records and rarely do things right. Pam Grier reflects on her most iconic roles, from Coffy to Jackie Brown. In the 2017 article, Jenkins also noted that this album features hip-hop influences, something Swift hasn't really done before. Fearless, however, just as strongly made the case that Swift had the goods for a long, rich career. It was all over the place, a fractured mosaic of feelings that somehow all fit together in the end. Songs like Love Story, You Belong with Me and Fifteen, filled with heart-on-sleeve lyrics and earworm hooks, remain among her best. It's hard to say. The album plays as a survey course in contemporary pop, and Swift is game to try just about anything, from the uninhibited dance-pop of standout Starlight to the thundering heartland rock of Holy Ground. The tracks that work best are those on which the production is creative and modern in ways that are in service to Swifts songwriting. The albums standout tracks retain the narrative detail and clever metaphor-building that distinguished Swifts early songs, even amid the diversions wrought by the aggressive studio production on display throughout. Note: If you make a mistake DO NOT click backspace unless you find extremely necessary. And, of course, "Marjorie" is a masterful and beautiful tribute to Swift's grandmother that's packed with soulful and illustrative lyrics. On earworm lead-single Anti-Hero Swift sings: Its me/Hi/Im the problem, its me, the kind of thought weve all had when lying awake trying to drift off. Songs range from edgy and confident with "I Did Something Bad" to breathy and beautiful with "Dress," all the while playing with different musical styles and production effects. The best Taylor Swift's Albums rankings are on the top of the list and the worst rankings are on the bottom. From Taylor Swift to Midnights, we've ranked all of the singer's studio albums from best to worst. this link is to an external site that may or may not meet accessibility guidelines. Annie Galvin, Evermore is at once as confident and complete a statement as Folklore. Where Reputation before it was a risky, abrasive side-step shrouded in a smoky eye, Lover's follow up is a blushing cheek beaming with rosy retrospection and hopes for the future. Yet its the lyricism that makes Folklore such an astonishing album, with Swift writing both from her own point of view, as well as exploring other peoples. Keefe, Folklore is neither a culmination of Swifts career to date nor a pivot in a new direction. Her earlier works' fanciful twang and youthful daydreams still linger on tracks "Speak Now" and "Mean," but where Fearless was purely starry-eyed, Speak Now instead wields a wonderstruck vernacular like a cherished childhood locket and scorches a hole in the heart-shaped photo. Swifts seventh ignores the bombastic electro-pop of its predecessor, and instead embraces the sleek stylings of 1989. Its a solid album which shows bucket-loads of promise; but its not a patch on what was to come later. As Rob Sheffield wrote for Rolling Stone, this album combined a lot of previous versions of Swift, seemingly capping off her career. Paul Attard, Considering that Swifts previous material was almost always better when she tossed the ill-fitting country signifiers and focused on her uncanny gift for writing pop hooks, Red was a smart, if overdue, move for the singer. From the first track, you know this album isn't like what you've been hearing on the radio it opens with the synthetic beats and sounds of "Welcome to New York.". folklore in comparison merely flirts along the edges of pop mantras on songs like "the last great american dynasty" and the deeply affecting "mirrorball," while veering straight into indie-folk influence on "illicit affairs" and the finger-plucked "invisible string," among others. She's moved on, but she also wants us to know she's moved on. It's as if we're sitting round a campfire confiding in one another, sharing painful memories of when our best wasn't good enough, when our savior complex sputtered out, and when we watched them walk away. When you pose the question of why Taylor Swift is among the most distinguished artists in popular music, the strength of her narrative songwriting is among the best answers. "'Fearless' may have established her as a capable teenage singer-songwriter, but 'Red' is the album that solidified her confidence, sexuality, and identity as a bonafide force to be reckoned with," English wrote. As J. English penned for NPR in 2017, this album really helped solidify Swift's identity in the music world. The resulting 2021 album, Fearless (Taylor's Version), is an inspiring feat and first step forward after reclaiming the masters of her life's work. "Drew looks at me / I fake a smile so he won't see / that I want and I'm needin' / Everything that we should be" was as good as poetry, and a north star to the forlorning that looms in girlhood. 1989 signifies a rebirth of sorts for Taylor, not just because it's named after her actual birth year, but more due to its status as her first seismic genre shift. Taylor Swift's Track 5s, Ranked 9. i. 2023 Oscars predictions: See who will win at the 95th Academy Awards. It marks a shift from the retro-minded pop-rock of 1989 toward a harder, more urban aesthetic, and Swift wears the stiff, clattering beats of songs like Ready for It? like body armor. Overall, it's charming and mostly tame, but then again, she's happy. By albums end, Swift assesses her crumbling empire and tattered reputation, discovering redemption in loveonly Reputation isnt so much a rebirth as it is a retreat inward. Songs like "Blank Space" and "Wildest Dreams" are more than deserving of their far-reaching recognizability, but not so much their long time (and only recently dethroned) standing at the top of Taylor's Spotify play stats. Some stories are symphonic semi-pop anthems ("Enchanted," "Haunted"), while others are country ballads dressed with electric guitars, as seen in "Dear John"'s interrogation of a 32-year-old lover's sway on a still-teen girl ("Don't you think 19's too young to be played by your dark, twisted games?"). What's likely the most famous track on this album, "Teardrops on My Guitar" is a textbook example of a popular Swift trope: a relatable song about a boy punctuated with clever lyrics. The rest of the record sees relationships rise and fall like once-great empires reduced to dust, each an individual tragedy set to incessantly hooky choruses. But folklore is more a shuffled series of vignettes than a throughlined story, planting the lyrics with easter eggs recurring motifs (a favorite cardigan), places (cobblestone paths), and events (pulling up in a car, professing love on the porch) to offer conflicting perspectives of a love long ago lost. Written when she was a high school freshman, it saw Swift dissect her relationship with a senior who she knew would break up with her when he went off to college. And that's really all Swift, whose genius for conversational melodies and knack for giving every chorus a telling new twist every time around remain unmistakable trademarks.". True, this album successfully acted as a reminder that Swift is a powerhouse musician who shouldnt be messed with. It has a piano introduction reminiscent of "New Year's Day," a song about an enduring love. Shes mined this type of melancholy tone before, but never for the full length of an album and certainly never with such a range of perspectives. Love for a song about the worst parts of yourself grows on your heart like a burn on the skin. Its fantasias are more melancholic, its themes of longing more resentful. Taylor Swift Drops Trippy Lavender Haze Music Video, Taylor Swift and Jack Antonoffs 20 Best Collaborations. These tales spin out like spools of fine gold, delicate in their delivery, eschewing catchy hooks to instead relish in simplicity. What follows is a collection of stone-cold glimpses into the ripple effect discontentment has on relationships: the sadness of a seasonal lover, affection and effort met with indifference, infidelity ending in death. Certainly, it matters that the two albums were born of the protracted isolation of the Covid-19 pandemic and that collaborators like Bon Iver and the Nationals Aaron Dessner figure prominently on both. He's right "Folklore" further cements the fact that Swift is in a league all her own and cannot be placed in a stylistic box when it comes to her music. How does Midnights compare to its worthy predecessors? It's synth-pop with depth energetic beats with lyrics that linger in your mind and soul-baring moments softened with catchy choruses ("It's me, hi / I'm the problem, it's me"). Although she claims the old Taylor is dead in the lyrics of "Look What You Made Me Do," we see touches of her "old self" in the softer chorus of otherwise intense "Ready For It?" "Epiphany," track 13 on "Folklore," is written with Swift's grandfather in mind. First emerging as a country-crossover artist, shes since embraced glossy pure pop and indie-folk; but while her sound may have changed, Swifts brilliantly honest lyricism and songwriting talent has remained a keystone in her tunes. Note: hitting 'no opinion' or 'I like both' frequently will negatively affect your results. First released in 2008, its original release won the Grammy for Album of the Year, and thirteen years later in 2021, Fearless (Taylors Version) became the first of Swifts re-recorded albums to drop. While tracks like Cardigan and Invisible Strings hinge on protracted metaphors, Mad Woman and Peace are blunt and plainspoken. Though she was praised for her songwriting right out of the gate, what Swifts self-titled debut truly shows in hindsight is how diligently shes worked to hone her craft over the years. Welcome to the Taylor Swift song sorter. Offers may be subject to change without notice. Happy, free, confused, lonely, devastated, euphoric, wild, and tortured by memories past." But "Folklore" has a laid-back vibe that reflects the spontaneity of how this album was created. Perfectly Fine." Whether it's a song about an ex or someone else who wronged her, Swift's clever, catchy "revenge tracks" have only continued to improve from here. 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